Conversations: The Shape of Water

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Good morning! This week my co-author Achariya and I were able to attend an advance screening of The Shape of Water. We loved it and we had thoughts. The following are those thoughts. The section here is spoiler-free, but spoilers do appear in the discussions below the cut. Enjoy, and feel free to chime in!

JEN: Let me get this right out of the way – I loved it, I want people to support it, but I also recognize it’s not for everyone. Also there were three movies that I couldn’t help but think about: Amelie, for the love story, Splash, also for the love story, and The Creature From the Black Lagoon, mostly because of the Amphibian Man but also because that latter touched on concepts of loneliness.

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Breathe water or breathe air – get you a man who can do both.

ACHARIYA: Last night when I left the theater, I called my dad, a cinephile from way back. I told him the bare outlines of the plot, and he said, “Oh, obviously Guillermo Del Toro is a student of film, and has also seen Frankenstein and Bride of Frankenstein — he’s likely well versed in the genre of the relatable monster.” And yes, I also loved it.

JEN: Also I can’t help but think of this as Del Toro thumbing his nose at Universal’s failed attempt to launch a Dark Universe franchise; I read that he was offered the Dark Universe and turned it down. Had he taken it on we would be seeing a Creature From the Black Lagoon remake very like this, along with all the other well-loved monsters. Here’s a man who can’t write an unsympathetic monster, who will always see layers to every villain but most of all to the ugly, unloved, and broken. It’s a damned shame we won’t see those from him.

ACHA: I would argue that the introductory lines of the movie pointed to the true monster — and Del Toro was absolutely able to write an unsympathetic villain. It just wasn’t the one that you’d think. (More about that in spoilers!)

JEN: One more thing before we get into the spoilers – I found the movie brilliant because of the complete removal of its universe from reality, while still managing to feel believable. All the questions I had stemmed from situations that were created within the movie – there was never a moment where I thought ‘Well that can’t happen because X.’ The story had my complete buy-in.

ACHA: And I’d posit that this is in part because the audience has been given a perfect character through which to react to and question the movie, the main character’s best friend, Zelda (played by Octavia Spencer). Her responses throughout were exactly what mine were: “What?” “You did what??” “I — what?” And then, her ultimate sympathy and acceptance for the main character: “Okay, whatever works for you.”

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In Theaters Now: The Shape of Water

I want you to know three things about The Shape of Water.

They are, in no particular order, that it is:

  1. Beautiful, lyrical, and absolutely deserving of the buzz surrounding it; the fact that there is so much buzz around it and that people are appreciative of such a daring story is wonderful.
  2. Marvelous, in that it literally contains marvels of all sorts. Acting, effects, imagery, characters, sets, dialogue, music, production, you name it, there is something in this movie to dig into.
  3. Inspiring a much, much longer review from my co-blogger Achariya and I that we will hash out tomorrow and post in the next day or so. I will keep general comments above a cut, but deeper discussion will need to contain spoilers so those will go below the cut.

Man. That was something. I cannot WAIT to write more, but it’s late and this sort of thing requires a proper marination of the brainmeats before anything can be said.

Happy Wednesday!

This week will be a busy one – I’m seeing The Shape of Water, which I’m really looking forward to based on all the buzz surrounding it and because I love Del Toro. I’m also figuring out my Star Wars: The Last Jedi plans. Some places near me be will be showing the latter Thursday night, which I prefer to the massive presses of people in theaters on weekends.

Also, Xmas stuff, like wrapping and mailing presents, and non-Xmas stuff, working on my novel draft and some other writing projects.

Here is the International Trailer for Black Panther, which got me all het up this morning.

I feel bad for laughing at the narration at the end, but I did. My friend, who speaks a little Japanese, wrote it out as BU RA KU PANSA.

Stuff I have watched: 

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In Theaters Now: Ladybird (A Conversation)

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My friend and co-blogger Tanya and I went to see Lady Bird, a movie directed by Greta Gerwig, this past weekend at the Enzian. Afterwards, we had thoughts. Some of them (including spoilers) follow.

But what is Lady Bird? In short, it’s the story of a young woman’s relationship with her mother during a year of transition between high school and college. The story is set in Sacramento and deeply embedded within the politics of the city, especially economic and racial ones. It was also great, awkward, fun.

Here’s our post-movie discussion.

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Keeping Sane In An Insane World

Hola! Work, busy, all the usual excuses for not posting more often. But I’m experimenting with new blog formats and am working on some new stuff for the coming months. 

To massively understate, things have been rough. Less so for me personally, but definitely for many of my countrypeople. There’s also the ongoing misery of watching the US’s role on the world stage become that of the buffoon — no, not even the buffoon, it’s that of the village idiot wandering into center stage of an opera, pushing aside sopranos, tenors, and ballet dancers, taking a massive dump, then throwing a tantrum in the orchestra pit when no one cheers.

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